The sculptures are handcrafted from start to finish, moving through a range of different processes.
It starts with an idea and a sketch. A seed has been planted, and when it starts to take shape, the sculpting begins. Then each piece continues to their travel to foundries across Europe, where it is shaped by traditional methods.
The quality of traditional craftsmanship allows her sculptures to exist not merely as objects to observe, but as presences to encounter. They invite us to feel the surface of bronze or marble – materials that have accompanied humanity since ancient times being shaped into tools, symbols, and sculptures.
In doing so, they connect us to those who came before us. To a shared lineage of making, and to the existential urge to create.